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England and Wales High Court (Chancery Division) Decisions |
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You are here: BAILII >> Databases >> England and Wales High Court (Chancery Division) Decisions >> Edmund Irvine Tidswell Ltd. v Talksport Ltd. [2002] EWHC 367 (Ch) (13th March, 2002) URL: http://www.bailii.org/ew/cases/EWHC/Ch/2002/367.html Cite as: [2002] FSR 60, (2002) 25(6) IPD 25039, [2002] EMLR 32, [2002] EWHC 367, [2002] 2 All ER 414, [2002] 1 WLR 2355, [2002] WLR 2355, [2002] EWHC 367 (Ch) |
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CHANCERY DIVISION
Strand, London, WC2A 2LL | ||
B e f o r e :
____________________
EDMUND IRVINE TIDSWELL LIMITED | Claimants | |
- and - | ||
TALKSPORT LIMITED | Defendant |
____________________
Mr Michael Hicks (instructed by Olswang for the Defendant)
____________________
Crown Copyright ©
Mr Justice Laddie:
Introduction
“The flyer was part of a campaign promoting Talk Radio’s live coverage of the FIA Grand Prix World Championship. The initial mailing itself was time critical to coincide with the British Grand Prix at Silverstone on 11 July 1999. …
Without any admission of liability, we confirm that no more of these flyers will be despatched.”
The relevant law
“On analysis, as it seems to me, all the English cases upon which Enterprises seeks to rely (Mirage Studios not least) can be seen to have turned essentially upon the need to protect copyright or to prevent passing off (or libel). None creates the broad right for which in effect Mr. Prescott contends here, a free standing general right to character exploitation enjoyable exclusively by the celebrity. As Robert Walker LJ has explained, just such a right, a new “character right” to fill a perceived gap between the law of copyright (there being no copyright in a name) and the law of passing off was considered and rejected by the Whitford Committee in 1977. Thirty years earlier, indeed, when it was contended for as a corollary of passing off law, it had been rejected in McCulloch v. Lewis A. May [1947] 2 A.E.R. 845. I would assume to reject it. In addressing the critical issue of distinctiveness there should be no a priori assumption that only a celebrity or his successors may ever market (or licence the marketing of) his own character. Monopolies should not be so readily created.”
“My Lords, in the interests of fair trading and in the interests of all who may wish to buy or to sell goods the law recognises that certain limitations upon freedom of action are necessary and desirable. In some situations the law has had to resolve what might at first appear to be conflicts between competing right. In solving the problems which have arisen there has been no need to resort to any abstruse principles but rather, I think, to the straightforward principle that trading must not only be honest but must not even unintentionally be unfair.”
“The width of the principle now authoritatively recognised by the High Court of Australia and the House of Lords is, therefore, such that the tort is no longer anchored, as in its early nineteenth century formulation, to the name or trade mark of a product or business. It is wide enough to encompass other descriptive material, such as slogans or visual images, which radio, television or newspaper advertising campaigns can lead the market to associate with a plaintiff’s product, provided always that such descriptive material has become part of the goodwill of the product. And the test is whether the product has derived from the advertising a distinctive character which the market recognises.”
“The principle of law may be very plainly stated, that nobody has any right to represent his goods as the goods of somebody else”.
“felt it necessary to find that the Plaintiffs had a business and that, having regard to all the circumstances, it could properly be said that the acts of the Defendants were likely to cause damage to the Plaintiffs in that business, thus pointing, as I understand his Lordship’s judgment, quite clearly to the necessity of showing connection between the two businesses.” (p 66)
“Upon the postulate that the Plaintiff is not engaged in any degree in producing or marketing puffed wheat, how can the Defendant, in using the fancy name used by the Plaintiff, be said to be passing off the goods or the business of the Plaintiff? I am utterly unable to see any element of passing off in this case.” (p 67)
“We find it impossible to accept this view without some qualification. The remedy in passing off is necessarily only available where the parties are engaged in business, using that expression in its widest sense to include professions and callings. If they are, there does not seem to be any reason why it should also be necessary that there be an area, actual or potential, in which their activities conflict. If it were so, then, subject only to the law of defamation, any businessman might falsely represent that his goods were produced by another provided that other was not engaged, or not reasonably likely to be engaged, in producing similar goods. This does not seem to be a sound general principle.
The present case provides an illustration of the unjust consequences of such a principle. For the purposes of this part of its argument, the appellant concedes that it is falsely representing that the respondents recommend, favour or support its dance music record, but it claims that because the respondents are not engaged or likely to be engaged in making or selling gramophone records, it is entitled to appropriate their names and reputations for its own commercial advantage and that the court has no power to prevent it doing so. It would be a grave defect in the law if this were so.
In our view, once it is proved that A. is falsely representing his goods as the goods of B., or his business to be the same as or connected with the business of B., the wrong of passing off has been established and B. is entitled to relief.” (p 234)
It also said:
“We have some difficulty in accepting the proposition stated in McCulloch’s case. If deception and damages are proved, it is not easy to see the justification for introducing another factor as a condition of the court’s power to intervene.” (p 234)
“.. the adaptation of the traditional doctrine of passing off to meet new circumstances involving the deceptive or confusing use of names, descriptive terms or other indicia to persuade purchasers or customers to believe that the goods or services have an association, quality or endorsement which belongs or would belong to goods or services of, or associated with, another or others.”
“There is no requirement that the defendant should be carrying on a business which competes with that of the plaintiff or which would compete with any natural extension of the plaintiff’s business. The expression “common field of activity” was coined by Wynn-Parry J in McCulloch v May (1948) 65 RPC 58, when he dismissed the plaintiff’s claim for want of this factor. This was contrary to numerous previous authorities (see, for example, Eastman Photographic Material Co Ltd v John Griffiths Cycle Corporation Ltd (1898) 15 RPC 105 (cameras and bicycles); Walter v Ashton [1902] 2 Ch 282 (The Times newspaper and bicycles) and is now discredited.”
“The principles of law applicable to a case of this sort are well known. On the one hand, apart from the law as to trademark, no one can claim monopoly rights in the use of a word or name. On the other hand, no one is entitled to the use of any word or name, or indeed in any other way to represent his goods as being the goods of another to that other’s injury. If an injunction be granted restraining the use of a word or name, it is no doubt granted to protect property, but the property to protect which it is granted is not property in the word or name but property in the trade or goodwill which will be injured by its use.”
“What is goodwill ? It is a thing very easy to describe, very difficult to define. It is the benefit and advantage of the good name, reputation, and connection of a business. It is the attractive force which brings in custom.”
“It is very difficult, as it seems to me, to say that goodwill is not property. Goodwill is bought and sold every day. It may be acquired, I think, in any of the different ways in which property is usually acquired. When a man has got it he may keep it as his own. He may vindicate his exclusive right to it if necessary by process of law. He may dispose of it if he will – of course under the conditions attaching to property of that nature.” (p 223)
“By parity of reasoning it seems to me no less obvious that erosion of the distinctiveness of the name champagne in this country is a form of damage to the goodwill of the business of the champagne houses.” (p 670)
“But it is now, as I understand, clear that a defendant need not, to be liable, misrepresent his goods to be those of the plaintiff if he misrepresents his goods or his business as being in some way connected or associated with the plaintiff’s.” (p 676)
“Like the judge, I do not think the defendants’ product would reduce the first plaintiffs’ sales in any significant and direct way. But that is not, as it seems to me, the end of the matter. The first plaintiffs’ reputation and goodwill in the description Champagne derive not only from the quality of their wine and its glamorous associations, but also from the very singularity and exclusiveness of the description, the absence of qualifying epithets and imitative descriptions. Any product which is not Champagne but is allowed to describe itself as such must inevitably, in my view, erode the singularity and exclusiveness of the description Champagne and so cause the first plaintiffs damage of an insidious but serious kind. The amount of damage which the defendants’ product would cause would of course depend on the size of the defendants’ operation. That is not negligible now, and it could become much bigger. But I cannot see, despite the defendants’ argument to the contrary, any rational basis upon which, if the defendants’ product were allowed to be marketed under its present description, any other fruit cordial diluted with carbonated water could not be similarly marketed so as to incorporate the description champagne. The damage to the first plaintiffs would then be incalculable but severe.” (p 678)
“Endorsement arrangements by sports stars are often entered into with a view to influencing the target audience’s choice.” (Witness Statement para 39)
“Q. Presumably, if you could get it, if you told your recipients that you had celebrity endorsement that would attract them?
A. If we had celebrity endorsement, from a radio broadcaster’s point of view that would mean somebody broadcasting on the radio; that would be something we would specifically shout about, yes, no doubt.
Q. It wouldn’t necessarily have to be somebody broadcasting on the radio, it could be, say, David Beckham saying “I love listening to Talk Radio”?
A. That could be, and think there are famous people that listen to various radio stations and have made that public. That tends to be PR that you are not in control of, as opposed to something you would actively pursue.
Q. But if you could get celebrity endorsement that would help you?
A. Yes, association would definitely would of assistance to any brand, definitely, but from a radio station’s point of view and for the advertising, media market, what I’m trying to influence, the most important thing is are you talking about people that influence the content, and therefore the listeners to the station - you know, a brand association with anybody or anything is not necessarily how the industry is driven, I would say, but by the very nature of it if David Beckham said he listened to Talk Radio that wouldn’t be a bad thing.” (Transcript Day 2 p 116)
“However this appeal is not an appropriate occasion on which to attempt to define precisely how far the law of passing off has developed in response to the growth of character merchandising, still less to express views as to how much further it should develop or in what direction.” ([1999] RPC 582)
In 1999 did Mr Irvine have a substantial reputation or goodwill?
“Drivers also benefit from the significant media coverage. The celebrity status of Formula 1 drivers means that there is demand for drivers to be involved with endorsements, private sponsorship and merchandising. Typically a driver will have some space on his race suit or cap for his own sponsors. Sponsorship is where a company will pay a driver a fee usually in return for the driver displaying the sponsor’s logo on his race suit or cap. A driver will also endorse products and services that do not conflict with the team’s sponsors. Endorsement is where the driver’s image is used to promote a product or service typically in an advertisement. I would always obtain the consent of the team I drove for in respect of any such endorsements or sponsorships.”
“In the summer of 1999 Eddie Irvine was at the height of his career with Ferrari. He had won three races and had a realistic chance of winning the Drivers World Championship. During that year his image appeared in numerous television, newspaper and magazine articles partly as a result of his racing success and partly, as I understand it, as a result of efforts by his management to exploit his position. I would say that he was easily and still is the most high profile British driver in Formula 1 that year, as Damon Hill was in decline. He was also probably the next most recognisable of all drivers after Michael Schumacher.”
“Q. Right. Now, what I want to suggest to you is that in July of 1999, I make the position quite clear, if you were a follower of Formula 1 you might well know the name Eddie Irvine, of course you would know it, and you might well be able to recognise his face, but that so far as the man in the street was concerned, in England, other drivers were much higher up on the spectrum because they had had much longer careers at the top whereas Mr Irvine was a man who, at that point, was just about to break into the big time?
A. No, he broke into the big time when Jordan Grand Prix sold him to Ferrari. He made a bit of a name for himself when he made his Grand Prix debut with Jordan in 1993. Having starred in the race he got physically assaulted by Ayrton Senna, which led to a disciplinary hearing against Mr Senna with a suspended ban, that’s something pretty tough on a three times world champion, never happened before. Mr Irvine, himself, actually got a ban during 1994 for an alleged involvement in a huge accident which occurred in a British Grand Prix. We appealed on his behalf against the ban that he was given. The ban was extended, so he achieved fame and notoriety from his very first drive in Formula 1. The week before the British Grand Prix, which was the French Grand Prix, he was actually leading the race which was eventually won by the Jordan team, but he arrived in the pits and the team were busy watching his team mate out on the circuit and left him sitting in the pit for 45 seconds with no wheels on the car. 4.5 million people watching television the week before the British Grand Prix, probably at the time this flyer had gone out would have known who he was, he was the top British driver at the time, the top British racing driver is a well-known person, not just in the sports pages.” (Transcript Day 2 pp 83-5)
“Q. I agree for a moment that people might have heard of his name if they had heard about Formula 1, what I’m saying is that they would not necessarily recognise his face, that’s the point I am making. The faces they would recognise would be faces of people who over the year had got a bigger track record, Damon Hill, David Coulthard or Nigel Mansell, those were the names in 1999 that people could put a face to. That in mid-1999 putting a face to Eddie Irvine was something only a racing aficionado?
A. I disagree, he had been in gossip columns, fashion magazines, he had a regular newspaper column which featured his photograph. Remember he’s only the second British driver ever to have driven for Ferrari in 50 years. If you are a Ferrari Grand Prix driver you are known around the world, believe me.” (Transcript Day 2 p 85)
and
“Q. You, therefore, don’t accept my proposition. I’ll put it to you one more time: so far as members of the public are concerned, not a racing enthusiast, just a normal member of the public not specifically interested in Formula 1, in mid-1999 people could put faces, perhaps, to the name of Damon Hill, ex-world champion, David Coulthard or Michael Schumacher, or perhaps even Ayrton Senna, but after that putting names to faces would be a difficult thing for just an average member of the public to do?
A. I would disagree with you, perhaps I’m too intimately involved in the sport. Eddie Irvine was a race winner that year, on and off the leadership of the championship for the whole of the year, plus the newspaper columns, his outspokenness, his willingness to comment and make intelligent informed comment unlike some of the other personalities that you have mentioned, made him a much sought after, well known and recognised sportsman.” (Transcript Day 2 p 87)
“Q. Going back to your answer in response to what you would have done if you had actually had a real genuine celebrity endorsement, you seem to be saying that you need to shout that from the tree tops otherwise your recipients would not have understood it?
A. There are a couple of things there. This is trade promotion so it’s going to a very, very small select group of people. Believe me, Eddie Irvine being part of Talksport’s content would be big news - not trade news, this would be national news. I suppose that’s the difference really. There are lots of sports personalities on the station, in our literature, in brochures, photographs in various form, and that photograph could have been anyone. Indeed, after looking at the photograph on the box, another sales promotion agency could probably have done the same thing with Schumacher. Looking at that photo - they just selected the best shot to get the angle, it wasn’t specific to any angle, it was specific to the sport really and the people in it.” (Transcript Day 2 p 126 – emphasis added)
Did the actions of the Defendant create a false message which would be understood by a not insignificant section of its market to mean that its radio programme or station had been endorsed, recommended or are approved of by Mr Irvine?
“Q. Now, I want to understand what you said to him on the telephone then, could you explain what happened in the course of that conversation?
A. Well, I was sort of congratulating him on having done a deal, it was quite clearly a personal endorsement and I quite fancied getting a personalised Talk Radio myself it being a sports person, I thought obviously as part of the deal he would have a few free radios to give away, that’s normally what you do with these things, it was so obviously a tampered or set-up photograph that I presumed that it just had to be a deal which had been done by Irvine or by Zanarini for Irvine.
Q. You say you thought it was authorised, if that was the case I don’t understand whether you are saying you actually thought it was authorised, or are you saying in reality you thought it was something which ought to have been authorised and he should be getting a fee for?
A. There are an awful lot of rouges in this business that are taking hold of images and using them for commercial gain, it’s part of what I - I do police this sort of thing. I congratulated Mr Zanarini on having done a deal and he told me he knew nothing about it which is why I sent it to him.
Q. I want to say, it strikes me, if you thought it was obviously doctored that you might well have been sending it to him on this basis, “Look, I wonder whether you would be interested in chasing this up Mr Zanarini because it looks if there are some rouges out there”, is that more precisely what happened?
A. Absolutely not at all. I said to Enrico, “Well done, it looks like a good deal” and he said, “I don’t know what you are talking about.”” (Transcript Day 2 pp 76-7)
“The promotions agency are always specifically for - going back to your point about irreverence, some kind of catchy, twangy angle. I think talking into a mobile phone as opposed to listening to the radio with Talk Radio on caught the mood of that particular promotion. So they are looking for angles in any shot that is going to deliver that cut through. That would be their view of that.” (Transcript Day 2 p 122)
“A. Yes. SMP sourced the photographs from what I believe was a grand prix or F1 photograph agency, and with hindsight I probably wouldn’t have done it but I assumed from SMP’s point of view that that was okay. I didn’t spot that as something which would be, you know, would have a detrimental effect down the line, personally, so I signed it off. I didn’t see a problem with it.” (Transcript Day 2 p 125)